Turning Pro: Tap Your Inner Power and Create Your Life’s Work

Steven Pressfield

The follow up to the War of Art. In the War of Art Pressfield identifies the enemy to living an authentic life – resistance. In Turning Pro, Pressfield teaches you how to defeat it.

146 Pages • ISBN 1936891034

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“The sure sign of an amateur is he has a million plans and they all start tomorrow.”

– Steven Pressfield, Turning Pro

The follow-up to his bestseller The War of Art, Turning Pro navigates the passage from the amateur life to a professional practice.

When we turn pro, we give up a life that we may have become extremely comfortable with. We give up a self that we have come to identify with and to call our own.

The passage from amateur to professional is often achieved via an interior odyssey whose trials are survived only at great cost, emotionally, psychologically and spiritually. We pass through a membrane when we turn pro. It’s messy and it’s scary. We tread in blood when we turn pro.

What we get when we turn pro is we find our power. We find our will and our voice and we find our self-respect. We become who we always were but had, until then, been afraid to embrace and live out.


“Turning pro is like kicking a drug habit or stopping drinking. It’s a decision, a decision to which we must re-commit every day.”

“To feel ambition and to act upon it is to embrace the unique calling of our souls. Not to act upon that ambition is to turn our backs on ourselves and on the reason for our existence.”

“When we’re living as amateurs, we’re running away from our calling — meaning our work, our destiny, the obligation to become our truest and highest selves. Addiction becomes a surrogate for our calling. We enact the addiction instead of embracing the calling. Why? Because to follow a calling requires work. It’s hard. It hurts. It demands entering the pain-zone of effort, risk, and exposure.”

“Many artists are addicts, and vice versa. Many are artists in one breath and addicts in another. What’s the difference? The addict is the amateur; the artist is the professional.”

“The amateur allows his worth and identity to be defined by others. The amateur craves third-party validation. The amateur is tyrannized by his imagined conception of what is expected of him. He is imprisoned by what he believes he ought to think, how he ought to look, what he ought to do, and who he ought to be.”

“The amateur tweets. The pro works.”

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